Fine Press Books

Santa Barbara, CA: Unicorn Press. Fine with no dust jacket. 1971. Limited Signed Edition; First Printing. Hardcover. A few thin, dark marks to the paper of the back cover. Slightest bumps to the lower tips of the covers.; This poem is written in Levine's characteristic style of short, declarative phrasing and the lines speak in the voice of a child, the voice of an adult, and the voice of the wall, all presumed to be in Spain. The dedication references the girl Pili, the author's wife, and Spain, for which he had a long-standing fascination. Prior to his 2011 appointment as Poet Laureate of the United States, Philip Levine won the Pulitzer Prize in Poetry, the National Book Award, the Ruth Lily Prize in Poetry and the Wallace Stevens Award. The author was also named Chancellor of the Academy of American Poets. Copy 43 of an edition of 50, numbered in yellow ink and signed in black by Levine. From a total edition of 750, the 50 numbered and signed copes are specially bound in… Read More

Gordo, Alabama:: Firebrand Press,, 2011.. Edition of 45. 5.5 x 8"; 72 pages. Letterpress printed with photopolymer plates. Printed on handmade papers made of abaca, cotton rag, kozo, and corn from the artist's father's garden. Perfect bound paper over boards. Text, images, printing, and binding by Lauren Faulkenberry. Firebrand Press: "This book is comprised of two narratives. One is a collection of anecdotal stories that allude to romantic encounters that thenarrator experienced or imagined. The other is based on observations of bird behavior that mirror the behavior of the narrator.

Monterey, Kentucky:: Larkspur Press,, 2005.. Special Edition of 45. 6.5 x 9.75"; 100 pages. Handset in Garamond type designed by Morris Benton for ATF after the work of Jean Jannon, a master printer in 17th-century Paris. Ratdolt type, designed by Victor Hammer, was used for display. Printed on a hand-fed C & P. Printed on Magnani Velata paper. Handbound by Carolyn Whitesel. Design, composition, and printing by Leslie Shane and Gray Zeitz. Signed by the artist and poet. Numbered. Poetry by Susan Starr Richards accompanied by Richard Wooten's drawings. Prospectus: "The drawings, by Richard H. Wooten, are based on a Chinese jade horse's head from the Han Dynasty, and a cave painting for Lascaux, France, ca. 17,000 - 12,000 B.C. Richard Wooten is a native of Harrison County with an avid interest in ancient art. He now lives in Maine. "Susan Starr Richards's short stories have been anthologized in Prize Stories, The O. Henry Awards, and in New Stories from… Read More

New York: R.H. Russell, 1900. First Edition Thus. Hardcover. Good. Maxfield Parrish. New York: R.H. Russell, 1900. The covers are faded, soiled, particularly the spine. The front hinge is starting to separate but still reasonably tighr.

Charlottesville:: Virginia Center for the Book,, 2017.. Edition of 25. 8.9 x 11"; 112 pages. Printed letterpress on Crane's Lettra paper (300 gsm). Body text in Garamond. Labels in Gill Sans. Boards covered in marbled paper crafted by Lindsey Mears with cloth spine. Numbered. Designer and printer -Lucas Czarnecki. Editor and printer - Kevin McFadden. Master printer - Garrett Queen. Consulting compositors - Bonnie Berstein, Richard Cappuccio, and Aurora Nichols. Virginia Center for the Book, Project Background: "The first pages of this volume were printed more than a decade ago in a daunting attempt to produce a complete reference to the entire collection of the movable type available to VABC printers. "Speaking in Faces, a project begun at VABC in 2004 by Johanna Drucker with VABC artists, is a unique specimen book, a creative resource for exploring letterpress printing, typography, and the treasures of our large and unique moveable type collection. VABC holds cases of… Read More

Paris: Meynial, 1925. First Edition. George Barbier. A complete and excellent set of the five annual issues illustrated with a total of sixty beautiful pochoir plates, complete with decorated pochoir title pages. 'Falbalas and Franfreluches' (Frippery and Finery: Fashion Diaries) represents a literary and artistic collaboration of unusual elegance and sophistication. French illustrator, George Barbier (1882 - 1932) spared no effort in the making of this beautiful collection, using the finest pigments and up to thirty stencils per print to create images of the highest quality reflecting fashionable themes of the day. The plates portray romance amidst exotic lands and ages past, including a native American idyll on the Missouri, a languid mistress cocooned in a hammock in the tropical Antilles, high baroque debauchery, and, of course, a myriad of lovers depicted in Paris at the height of the chic 1920s. Each annual includes twelve pages of fine writing by Barbier's contemporaries in the Parisian scene… Read More

[Simi Valley, California]:: Pie in the Sky Press,, 2019.. Edition of 50. Standard: 7.5 x 11"; 64 pages. Letterpress printing on the Vandercook Universal III power press using Centaur and Arrighi type, cast by M & H Type Foundry and Swamp Press, wood French Clarendon, and photo polymer plates onto Zerkall Book Wove, handmade Kitakata, and Korean Hanji papers. Botanical pages (contact prints) printed on Strathmore Aquarius II watercolor paper. Longstitch binding, sewn with hand-dyed Kinglet Cottage linen thread through a white oak spine. Bound in a cover of contact printed and dyed handmade Indigo watercolor paper. Signed and numbered by the artist. Deluxe: Housed in 9.75 x 12.75 x 2.5" cloth-covered hinged box lined with Cave handmade paper. Set in a niche compartment is a Quercus lobata acorn. The acorn has been frozen for 12 months, baked for 8 hours then sealed. In a drawer with cloth pull tab is "Quercus", a suite of prints. Each print signed and dated. A standard… Read More

London: The Cresset Press, 1931. Two volumes. Folio. One of 195 copies on Batchelor's handmade paper. (This copy #105). Set in type from a copy of the Revised 1674 edition (Paradise Lost) and the first edition of 1671 (Paradise Regained). Twenty wood-engravings (16 full-page, plus head- and tail-pieces in each volume) were designed and engraved on wood by Demitrios Galanis. Title page and Initial letters designed by Anna Simmons. The copies were printed Bernard Newdigate at Shakespeare Head Press, in Oxford. Volume I, (i)-xii, (1)-442, colophon; Volume II, (i-vi), (1)-88, colophon. 370 x 260 mm (14¾ x 10½ inches). Sold with this item, is a prospectus for this work, dated 1930, by Cresset Press, New York. This is printed in red and black 720 mm x 500 mm. Folded. Contains two engravings (one full page) and a leaf of the text. To the rear, is an apology to the Golden Cockerel Press for publishing a Milton at the same time that they are. "The last and most beautiful book issued by the Cresset Press"… Read More

Amsterdam: Phoenix Editions, 1982. Book. Fine. Hardcover. 1st Edition. Original gilt half vellum.Illustrated with an original etching by Rob Cox. An extra copy of the etching on different paper is loosely inserted. Designed and printed in black and red at the Bonnefant Press in a limited edition of 30 copies. Signed by David Simaleavich and Hans van Eijk. Copy printed on the name of Rob [Cox].15 (2) pp. Very fine copy. .

Engraved title-vignette, 5 unnumb. leaves, 71, (3), 361, (3) pages ; engraved title vignette, 2 unnumb. leaves, 284 (2) pages. Cont. green half morocco, flat spine richly gilt with gilt stamped title. Covers lined with shell marbled paper, endpapers lined with an unusual pattern of multiple coloured shell marbled paper. All edges yellow. 4to (290 x 210 mm). Extremeties rubbed. Brooks, 361 ; Weiss 101. "Edizione sorvegliata da Bodoni e ben lo scorge chi ne esamina i pregi tipografici" (De Lama II, p. 53). A fine copy broadmargined and fresh inside.

(Hammersmith): (The Doves Press), 1912. Doves Press edition of William Shakespeare's Antony and Cleopatra ("Antony" given as "Anthony," following the First Folio), the third of the Doves Shakespeare productions, one of 200 copies on paper out of a total print run of 215. Inspired by Thomas North's great Renaissance translation of Plutarch, and first performed in 1607, the play features one of Shakespeare's most complex heroines: "Age cannot wither her, nor custome stale / Her infinite variety: other women cloy / The appetites they feede, but she makes hungry, / Where most she satisfies." Founded by T.J. Cobden-Sanderson and Emery Walker, the Doves Press departed from the decorative medievalism favored by earlier English private presses: "The publication of the first Doves book, a few days after the death of Queen Victoria, marked the end of that age, and set the standard for printing in the twentieth century." One year after the appearance of Anthony and Cleopatra, as his partnership with Walker was… Read More

Full green linen with gold lettering on spine, marbled slipcase, (viii), 37 pages. One of an edition limited to 200 copies, 20 being for presentation. Ten engravings on copper and with a forward by David Jones. Printed under the supervision of Douglas Cleverdon. A masterpiece of the Twentieth Century. A new printing of the Jones masterpiece, with the images printed from the original plates. Very good to near fine condition, head and tail of spine are slightly bumped and boards are slightly rubbed. Slipcase in near fine condition with corners slightly rubbed.

London: William Heinemann. Very Good+ with no dust jacket. c.1916. Limited Signed Edition; First Printing. Hardcover. Tail fore corners bumped, some light rubbing at the hinges, light overall foxing to the free endpapers with a bit on the pastedowns, light dampstain at the tail of the front free endpaper and the next two leaves, a sliver of unobtrusive foxing along the fore edge of numerous pages. Light scuffing to the cloth of the rear cover. The slipcase has light rubbing to all edges, with wear to the head and tail of the leather.; These 13 collected tales represent the traditions of the Allied nations of World War I and, arguably, amount to uplifting, positive propaganda, possibly for the young and most certainly for their parents. English, "Scotch," Welsh, Irish, French, Italian, Portuguese, Japanese, Russian, Siberian, and Belgian folk tales and "fairy" tales recount the meek besting the mighty and both people and the supernaturals working toward the common good.… Read More

Hemingford Grey, Great Britain: Vine Press, 1962. Cloth-backed decorated boards; leather printed label. Vine Press. 8vo. Cloth-backed decorated boards; leather printed label. 18, (1) pages. Limited to 150 copies. A fine copy of this very scarce book. Wood-engraved portrait frontispiece by Peter Reddick. Set in 14 pt Monotype Octavian and printed on Millbourn handmade paper by Peter Foster and John Peters at the Vine Press.

The Easton Press, 1993. The Leather-Bound Library of American History. First Thus; Collector's Edition. Hardcover. Issued without dust jacket. Fine, "Like New" condition. Appears unopened / unread. Binding and text block are tight, bright, and clean with no ownership markings or bookplates. Bound in full (genuine) blue leather with hubbed spine. Embossed in 22kt gold on the spine and front and back covers. Heavy duty binding boards. Printed on acid-neutral, archival paper. All edges gilt. Smyth sewn with concealed muslin joints and permanent satin ribbon marker. Notes from History sheet laid in. Photo is of the copy we have at Barbed Wire Books. A beautiful copy.