Artists' Books

[Verscio, Switzerland]: Ateliers Lafranca, [1986].. Rectangular folio (14 x 12"; 355 x 305 mm). Loose sheets and bifolia, laid into plain paper wrapper and board chemise. Illustrated. Slipcased. Fine. First edition. Copy #24 from a total edition of 54 (including 6 EA), signed by the author/artist and printer. Illustrated with nine original color stone lithographs, full- page or double-spread. Printed on heavy Moulin à papier La Collinasca in Bodoni types by Francois Lafranca. Evrard's concluding essay on lithography is printed in French, and in German and English translations.

Friedberg: Edition Hoffman, 1979.. [8] leaves of text. Quarto (33 x 24 cm). Prefatory text leaves, accompanied by six matted mixed-media prints. Enclosed in printed boards folder. Folder a trifle sunned at edges, with small chip at spine crown and short crack at one joint, otherwise near fine. First edition. Prefatory essay by E. Steneberg. Copy #68 of 120 numbered copies (and 25 epreuves), signed by the artist on the justification, and with the prints signed in the plate in the lower right corner. The prints are in black on white, or two colors on white, and vary significantly in size. Mansouroff (1896 - 1983) was one of the first generation of post-Revolutionary Soviet artists, and an associate of Tatlin and Malevich.

[Frankfurt: Elke Betzel Verlag, 1980].. Quarto (30 x 21 cm). Linen over boards, with title written on upper board with a resin- like substance. Illustrated with color photocopies of photographs. Fine. First edition. Copy #38 of 100 numbered copies, signed by the artist, and with each of the color photocopied plates signed by him in pencil in the margin. A record of Kutscher's exercise in nude body-painting to enable him to completely disappear/blend into natural environments. OCLC/Worldcat locates three copies.

[Philadelphia: The Artist, 2005].. Oblong octavo. Open-sewn decorated paper over stiff wrappers. Accordion fold. Decorative onlay. A fold or two slightly awry, otherwise fine in folding cloth clamshell case. Copy #3 of five copies, signed by the artist. Panels of text printed in bold on translucent plastic, intersewn with two panels of material fabricated from dried, pressed fruit, with a smaller panel of the same material affixed to the upper board.

A oversized catalogue of this significant show of the same name. Publication includes essay by Glyn Banks of 'Art in Ruins', and two poster poems on separate pages by Deborah Levy ('After Magritte' and 'After Warhol') illustrated. Contains original screen prints. Some pages In Colour.One copy with white card cover, another with brown card cover, both with silk screen by Hercules FishermanDetails and images made for those with a serious interest in this rare item. Difficult to assess value as so rare. Offers welcome! Ask for more details or photos.

Artist book. Still sealed under publisher's original wraps. With an illustration section on glossy white paper, followed by a text section on orange stock printed on one side only. Includes color illustrations of a number of famous artist books by Sol LeWitt, Ed Ruscha and Lawrence Weiner. The text section includes a transcript of a phone conversation between Jonathan Monk and Seth Sieglaub.Livre d'artiste. Encore scellé sous l'emballage d'origine de l'éditeur. Avec une section d'illustrations sur papier blanc brillant, suivie d'une section de texte sur papier orange imprimée sur un seul côté. Comprend des illustrations en couleur d'un certain nombre de livres d'artistes célèbres de Sol LeWitt, Ed Ruscha et Lawrence Weiner. La partie texte comprend la transcription d'une conversation téléphonique entre Jonathan Monk et Seth Sieglaub.Künstlerbuch. Noch in der Originalverpackung des Verlages eingeschweißt. Ein Illustrationsteil auf weißem Hochglanzpapier wird gefolgt von einem einseitig… Read More

Cincinnati, Ohio:: Jusith Serling-Sturm:.. One-of-a-Kind. 12.5" H x 10.25"W x 4"D closed, extends to 10"H x 102"W. Textile in scroll structure. Mixed media, including a bullet artist found while walking to work. Rolled and laid in wooden box with title on cover. Box hinged with leather straps. Judith Serling-Sturm: "21:1 is the official statistic of young, unarmed black men to young, unarmed white men shot and killed by police as contrasted with the number of young unarmed white men who suffered that same fate. Many statistics back this up, and much analysis attempts to explain this but 'Unarmed in America' addressed individual lives. This is what 21:1 looks like. "I have sewn these lives onto a muslin shroud amongst explanations, analysis, and the 21st psalm in asemic writing. "There is no shortage of explanations for this fact, and these explanations are frequently embraced by one ideological group or another at the expense of the… Read More

Paris: Andre Sauret, 1963. Limited/Numbered . Original Cardboard. Very Good. 4to. 183pp. EXEMPLAIRE SUR GRAND VELIN D'ARCHES. ONE OF 125 COPIES (THIS COPY 55) SIGNED BY ANDRE SAURET AT COLOPHONE. Cover is an original lithograph by BRAQUE. Missing the frontispice and the title page ( both were original lithographs) FINE PRINTING BY THE MOURLOT PRESS IN PARIS.SUPERB COLOUR ILLUSTRATIONS OF THE WORKS OF BRAQUE. A VERY GOOD AND CLEAN COPY.

Book cover near new, light edge wear - pages clean, bright and unmarked – spine solid and undamaged.
Jacket near new, very light shelf wear.
Proceeds benefit Friends of the Library; books sold are NOT ex-library.
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The first full survey of the work of a British artist whose art has captured the public imagination since the 1990s
Cornelia Parker (b. 1956) is one of the most thoughtful and poetic artists working in Britain today. Her wide-ranging practice, chiefly in sculpture and installation, touches on the fragility of human experience and is rich with visual allusions and literary innuendo. Parkers dynamic projects have included blowing up a shed, steamrolling musical instruments, exploding a firework made from a pulverized meteorite, and suspending charcoal taken from a church struck by lightning.This monograph traces the development of her art from the late 1970s to the present day. Organized chronologically, the book covers the… Read More

NY: Simon & Schuster, 1948. First edition. Hard cover. Published NY: Simon & Schuster, 1948, first printing. 4to., 9 1/4" x 12 1/4", unpaginated, frontis portrait and illustrated throughout with 700 of Hurter's drawings created for the Walt Disney Studio. Intro by Ted Sears, note by Walt Disney. Hurter's sketches were the foundations for most of the Disney films of the Thirties. He designed characters and settings for Silly Symphonies, Snow White and Seven Dwarfs, Pinocchio, Fantasia and Dumbo. Gray cloth with titles in red reverse block. Light wear at the crown, traces of a few spots on cloth, two tiny spots on front edge of page block, previous owner name on rear pastedown. A very good, attractive copy. . 1st. Hard. Very Good/No Jacket. 4to.

1890 RARE 43v Dore Gallery ART Dante Bible Milton Fontaine Quixote Atala FOLIOS
"The most popular and successful French book illustrator of the mid-19th century!"
Famous French artist, Gustave Doré was most known for his incredible woodcut engravings. Doré's romantic style of illustration, supremely imaginative and richly detailed, was ideally suited to literary subjects. Artists and art lovers will find in these pages' superb examples of the illustrator's art! This collection of 50 individual magazine parts features artwork from Dore's "Bible", "Paradise Lost", "Dante", "Atala", "Don Quixote", and still others!
Item number: #23100
Price: $950
DORE, Gustave
Cassell's Dore Gallery
London/New York: Cassell & Company, ©1890.
Details:
· Collation: 43 individual parts (of 50)
o 220 full-page, Gustave Doré engravings
o Wanting Parts 7, 8, 12, 20, 22, 26, and 45 (5 plates per part)
· Language: English
· Binding: Softcover; secure
· Size: ~12.75in X 9.75in (32.5cm x 24.5cm)
· EXCEEDINGLY rare to… Read More

Paris: Editions Cercle d'Art, 1970. Book. Fine. Hardcover. 1st Edition. Loose sheets in beige cloth chemise and matching clamshell box with embossed titles. Reproducing three notebooks from 1964 with drawings by Picasso in their original formats. 24 pages with text. 71 lithographs of which 27 in color, printed on Arches paper under the supervision of Picasso. This is copy number 530 from the Cercle d'Art edition that was limited to 666 copies. There were also editions printed by Abrams and Schunemann of 666 copies each. Sheet size: 32.7 x 25 cm. The box measures 35 x 27,7 x 6,3 cm. Apart from light wear to corner tips of the slipcase and the inevitable offsetting from the lithographs this is a mint copy, in collectors condition. .

Abrams, 1978. hardcover. Good. 16x13x1. Text is clean and unmarked, no highlighting, underlining or writing. Several pages have light corner crease or small corner bumping in upper right corner margin/tip. Hard Cover. Dust jacket is clean and bright, some light creasing back cover, corner bumping, light edge/shelf wear. Green cloth cover boards VG. Binding is in very good condition, solid, square. Large, coffee table book, full-color. 14.5 x 12 x 1.5. Printed in Japan. A book that is currently OOP / NP (Out-Of-Print edition / No Longer in Print), uncommon, a first edition, collectable or hard to find. 1989 Reissue, Abrams. Ships in box, well packed, quickly and with care.

Beautiful book in very good condition of the work of Alberto Vargas. Paintings of his work with the Vargas Girls in the years 1920 till 1950. The languages are German, English and French.

Book of one of the most famous and finest wood engravers Christopher Wormell in a superb condition. All letters of the alphabet with an animal. First edition.